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It s easy to find spray paint at your local stores. Buy the fast-drying, water-based versions. They are easy to paint with and to clean up after. Flat white and flat black spray paints are common and abundant, but you can try other colors as well and see what kind of effects they make in your pictures. Before you spray, make sure your filter surface is free of dirt and grease. Make sure your work area is protected with drop cloth or newspaper and spray where you don t mind getting a little paint in the environment. Find a well-ventilated location. You should consider wearing a mask over your nose and mouth as well. Shake the spray paint can vigorously for one minute. The metal ball inside the can will rattle against the inside of the can, mixing the paint. When you spray, keep the can about a foot away from your filter. The more spray paint you get on the filter, the softer the image and the more you ll obscure the subject. Spray just a fine mist on the filter to start this small amount goes a long way with softening. You can always add more paint later. If you make a mistake, use some thinner to clean the paint off the filter and start over. When you are done with the spray paint, clean the spray button immediately by turning the can upside down and pressing the spray button for five seconds or until no more paint comes out.

Advanced Controls allow you to view out-of-gamut colors and to override default RGB blending. Desaturate Monitor Colors By allows you to differentiate between colors that would otherwise appear as a single color because they were out of the monitor s color gamut. The option should be used with care because it can result in mismatched colors between the display and the print output. Blend RGB Colors Using Gamma allows you to specify a gamma that s different to the working space gamma. When the option is selected, Photoshop blends RGB colors using the specified gamma, rather than blend independently in CIE XYZ color space (a device-independent color space based on human perception and developed in 1931 by the Commission Internationale de l Eclairage, or CIE). This can result in better blending where colors transition sharply but will also display differently in applications that support layers but not this option.

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1. Open the document you want to validate. 2. If it is an XML or XHTML file, choose File Check Page Validate as XML. For all other files, choose File Check Page Validate Markup or press Shift+F6. After the Validator runs, the results are listed in the Validation panel: filenames, line numbers, and error descriptions, as shown in Figure 30-2.

clk=>clk, reset=>'O' , inO=>ledO, i n l = > l e d l , i n 2 = > l e d 2 , i n 3 = > l e d 3 , an=>an, sseg=>sseg

Mixing Colors Using the Color Mixer Choosing a color Accessing the color models Selecting Swatches of Color Choosing from the color wells Using the Eyedropper Accessing the system color picker(s) Opting for no color Using the Swatches panel Accessing the Color Table Fireworks Technique: Converting Pantone Colors to Websafe Colors Using ColorWeb Pro for Windows Using ColorWeb Pro for Macintosh ..

a concept of stretching lamellae and is believed to more accurately represent the turbulent process [eq. (13-16)]. Higher viscosity generally reduces the mixing rate at the same turbulence energy dissipation rate or power per unit mass. The mixing theory of Corrsin (1964) accounts for the effects of viscosity and molecular diffusivity on the time constant for local mixing, although the viscosity appears in the smaller term. The second term in his time constant equation is frequently an order of magnitude smaller that the rst term. For instance, if viscosity is increased by a factor of 100, the impeller stream mixing time constant would be almost doubled for the 1 L vessel but would be little affected in the 20 000 L vessel, since in the latter, inertial mixing dominates completely. A similar estimate of the effect of viscosity on local mixing rate can be obtained from the engulfment model of Baldyga and Bourne (1989). Their time constant, E , for the nal step of mixing, engulfment of unmixed uid, E = 17( / )1/2 , shows that the mixing time constant increases in proportion to the square root of viscosity if turbulence energy dissipation rate and density are constant and engulfment rate (Batchelor scale mixing) is controlling. From these time scales, it is clear that both the viscosity and the diffusivity affect mixing at the smallest scales. The Schmidt number, Sc = momentum diffusivity = = DAB DAB molecular diffusivity (13-21)

6.16 Use the Characters palette to insert an unbelievable range of characters in your titles when you need them.

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