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1. In Illustrator, create your static artwork and save in the native format (AI). Export any work intended to be animated as SWF files by choosing File u Export u Format: Flash (.SWF). 2. In Flash, choose File u Import u Import to Stage or Import to Library u Format: Illustrator (.AI) and deselect unwanted layers or define layers as editable paths, bitmaps, or movie clips (Figure A-3). You can also copy/paste from Illustrator to Flash with options for bringing in all or some layers. 3. Publish your work from Flash in SWF format. 4. In Photoshop, save any individual component (primarily foreground images) as a native Photoshop (PSD) file. 5. In Dreamweaver, choose Insert u Media u Flash to incorporate Flash movies where desired. Open PSD file in Dreamweaver and convert it to Web-ready format.

20 V

By and large, the editing features of Dreamweaver are similar to other modern word processing programs with one or two Web-oriented twists. Like other programs, Dreamweaver has Cut, Copy, and Paste options, as well as Undo and Redo commands. The twists come from the relationship between the Design and Code views of the Document window, which give Dreamweaver special functionality for copying and pasting text and code. You learn how that works in the following sections.

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Another key characteristic of a monitor is its refresh rate, which is the number of times per second that the screen can be entirely redrawn. The refresh rate is also a function of the video card and indicates how many times per second that the data used to refresh the display is sent to the monitor. The phosphor dots on the CRT s screen begin to fade almost immediately, so the electron beam must sweep back over each pixel multiple times per second to keep the display sharp and bright. A low refresh rate can make the CRT screen flicker and also cause eye fatigue and possibly headaches. Most of the current monitors support refresh rates around 75 hertz (Hz) or faster. Because of how they work, LCDs aren t rated with a refresh rate and don t have refresh rate issues. Because of this, LCDs can provide stable images at 60 Hz, and sometimes lower, rates.

and the diagonal entries of F can take the following forms fii fii fii = = = 1 yi f (yi ), 1 0.

A.J. Coyle, B.R. Haverkort, W. Henderson and C.E.M. Pearce. A mean-value analysis of slotted-ring network models. Telecommunication Systems, 6(2):203-227, 1996. J.N. Daigle and D.M. Lucantoni. Queueing systems having phase-dependent arrival and service rates. In: W.J. Stewart (editor), Numerical pp.161-202. Marcel Dekker Inc., 1991.

6.34 The current in a 4-mH inductor is given by the waveform in Fig. P6.34. Plot the voltage across the inductor.

Figure 10.1 shows some typical restoration jobs that range in difficulty. Each of these images has its own set of problems, requiring individual treatment. The first image has some spots and stains, but they ll be easy to remove. Because the man has a beard, the stains won t be as challenging as if they were on his skin. The second image will be a bit more challenging because the damage is extensive. Luckily, most of it is in neutral areas of the background. The crease across the girl s face and the armrest of the chair will be the most challenging aspects of this particular restoration job because of all the detail in those areas. Both of these images need some tonal work, as well as color adjustment, even though neither of them is a color image. Most restoration jobs fall into this realm. They need some basic work, with a few challenges thrown in here and there. For the most part, they re usually handled with similar tools and techniques. The ante is upped when we look at the third image. It has been heavily damaged by water and neglect. It s amazing that the print still looks as good as it does. Some of the damage is in the neutral background, but at least 50 percent of it is in areas of detail like faces and clothing. This retouching job will require lots of time to repair.

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